MFI Script Workshops is an intensive, advanced and project
oriented screenwriting training activity that essentially constitutes
a script development program. Its primary objective is to fully
develop the participating projects, from extensive outline/treatment
or first draft to final draft, through a series of workshops/sessions
that emphasize the dramatic components of the screenplay. Writing,
script analysis and critique, revision and rewriting are all
focused on developing the essential elements of story, theme,
character and circumstance through dramatic action in a process
based primarily on group work and individual consultations.
MFI's track record consists of more than 150 projects from all
over Europe being developed in its Script Workshops.
A great deal of these works have been produced, giving films
that have achieved praise and distinction in international festivals
as well as significant success in national and international
commercial distribution. Among many others, 2003 Academy Award
winner for Best Foreign Film “Nowhere in Africa”,
by writer/director Caroline Link, was one of the projects effectively
developed in MFI Script Workshops. •
target group MFI Script Workshops is a training activity
that addresses to European professionals as well as emerging
screenwriters or writers/directors with a feature film project
in development. Others, such as screenwriting teachers, dramatists,
readers, script consultants and editors, development executives,
producers, directors etc. may also apply to participate as
observers.
Priority is placed on projects that are on a production "track",
scripts which already have a producer, or a reasonable plan
for making the film a reality. Projects that are not in production
track but demonstrate quality and potential are also qualified
to apply.
• philosophy
The program combines a comprehensive approach towards filmmaking
that is essentially European in outlook - melding both screenwriting
and directing (directing being an essentially dramaturgical
discipline as well) - while also emphasizing the primacy of
story and action that are the vital and fundamental characteristics
of American filmmaking. The single most important thing for
a new filmmaker to do is to develop his/her sense of the dramatic
material in his/her story. Most new filmmakers are shy of
translating their ideas and concerns into external events.
This program does not treat cinematic narrative as a “how-to”
project. We treat stories as organic forms, not mechanical
applications of screenwriting rules, and look for the “dramatic
material” in the filmmakers’ original vision.
We seek to educate filmmakers about principles that strengthen
and clarify the dramatic values in the story rather than dictate
them, principles rooted in the great narrative and theatrical
traditions from which visual storytelling first emerged.
• innovative methods and European dimension
Designed for feature film scripts for cinema and television,
this training initiative helps to develop the participating
projects to the maximum of their capacity in ways that will
clarify and enhance the qualities of the original story material,
bring out their fullest dramatic impact, and make them engaging
to audiences in international markets.
MFI’s intensive program of workshops and on-line sessions
constitutes a full program of script development that approaches
the task not through any pre-formulated techniques or “clichés”,
but rather through a serious and difficult process of analysis
of the material, evaluation, critique, inner-seeking and creative
exchange between trainers and participants.
Our primary objective is to focus on the primacy of story
and the crucial importance of dramatic action. For many years
now, these elements have been consistently the weakest points
of European films, which tend to overemphasize style and pure
narrative at the expense of dramatic impact.
MFI's program seeks to improve the participating projects
by making them dramatically stronger and therefore more effective.
In this way, the essential elements of drama are being discovered
and elaborated giving to the original and truly imaginative
stories, European filmmakers usually have, the dramatic power
they must possess in order to engage a larger audience. In
the same time our program remains sensitive towards national
and local narrative concerns and characteristics.
The importance of the exchanges between participants themselves
cannot be underestimated. As previous sessions of the program
have illustrated, within the right workshop atmosphere, a
spirit of cooperation can develop which extends beyond the
workshop, in productive long-term relationships. After all,
the institute's "raison d' etre" is creating a cinematic
forum where projects can flourish through the exchange of
diverse cultural perspective and a lively dialogue among the
region's fresh talent.
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